20090531

The Fancied Beowulf Laid Low

Copyright © 2009 Ernest Bloom.


Lord, what hell-bred beasts are these
That summon us to war!
Lunging from their secret lairs with
Razor-maws a-blazing!
Had I but fetched my vorpal blade
I'd certain forestalled a hazing!
Avast! Engage not this fiend's malicious eyes:
Surprise! It hasn't none.
Thou foolish knight brought down to size:
A monster? Aye ‑‑ a wee bit one!


see: http://www.flickr.com/photos/ebloom/


Tell Me of Your Fingers Each

Copyright © 2009 Ernest Bloom.



Tell me of your fingers each, my love, tell me
one by one:
Ten short and perfect poems transmitted
day by lonely day.
Tell me of your toes, each tiny
nail precisely done;
Only then I might discern light infusing
these gloomy skies of gray.
An epic curve as each hip mounts up,
then fatefully descends.
A full week, I entreat you, on the strokes
when you brush your hair.
Brings us already to twenty-nine, my favorite
of my uninspired friends.
But save for last your devouring eyes that
pursue me everywhere ‑‑

And next month I beg you start
the whole affair again.

20090530

Wheels of Being

Copyright © 2009 Ernest Bloom.


The distant crystal forests are burning
Paper parasols roll abandoned along dirt roads
Below black locust she just stands weeping
As each new wounded petal of life unfolds
A former friend whispered to me of your book
You're intent to inform the world of my sins
I barely recall those cyclic dioramas in which
You swore we two were forever friends

Ambulance lights ablaze on brick-lined nights
Fistfights erupt down every other alley cut
They say life's easy enough round here for those
Smart enough to keep their fool mouths shut
They keep slitting all the senator throats
In rarified palaces of conceit and dark powers
No one really wants to live forever, at least
Not those looking down from the castle towers

Sneering master's got his leather whips
Every slave girl's got thin, whiter scars
Drunken frat house boys all get their kicks
Blasting crude rap music from their speeding cars
From the stony hills of Gettysburg to the
Windy highlands and hardscrabble Scottish moors
Dead winds blow sour and unfeeling except for those
Looking to even up centuries of uneven scores

In this land of plunder and murder we barter
For fresh sensation with the spoils of bloody war
The meek inherit what's been condemned and burn
Old carcasses that luck deposits on the shore
She drinks too much to numb the closeness of
Accumulated nights of ripped nightgowns
Strolling among the graves of slaughtered children
All the headstone cherubs circled in thorny crowns

20090529

Inside Cell Walls

Copyright © 2009 Ernest Bloom.




In another time's forgotten space
Your eyes looked through your mother's face.

-- Robert Hunter




Just what the hell am I doing in this shithole? Everything
just jumped off the rails somewhere way back up the tracks.
I remember sitting in a dreary Savannah motel listening to
the radio, amazed to hear "Under My Thumb," but I was
still thinking about Willie Nelson and certain girls; well, any
girls, really. Soon, too soon, to be returning to Texas, but
not for long, not for long, and everything would be different
then. Now I'm sitting here reading A.S. King and wishing
for a way to slip out of these compressing walls, but I just
can't seem to connect the dots all the way back across the
scattered, vagabond years.

You keep looking for reason here like you actually expect
to find it; you keep believing in some rational subtext, but
I tell you all is bullshit in this place, on board this rudderless
ship of fools. All is chaos, and we'd better find a way to
break the hell out before the flames push any closer. They
always seem to come in fire ‑‑ always in fire ‑‑ angels with
their swords ablaze.

And yet. . . .​​And yet. . . .

And yet here I still sit, or else I'm swimming like a secret
predator among the blind cavefish, or down along the noisy
highways and strip malls where the useless ones tend to
congregate. Lord, these monkeys do gibber on like the
idiots they frankly are, loudly protesting, they've taken
offense to too much truth, and they're fully committed to
the insincerity they feel compelled to spew, casting it
around them like peasants from the middle ages, laboring
and sweating heavily in their stony fields under gravid
sacks of mealy seed. Just like the ones we used to see
down in the humid sink of San Carlos where we ventured
along the muddy beach at night under the scythe-like
moon, catching crabs for the stewpot and conspiring to
elude cholera's pressing advance and set up a new
religion. Feasting like kings we were in those times, we
made a careless banquet of shrimp and garlic-buttered
crab, putting away the Pacifico under a blazing Mexico
sun. Much later, pulling off the highway for another
pit stop in Truth or Consequences, New Mexico, I knew
somewhere along the line I'd acquired teeth like a
crocodile and the eyes of a red tail hawk. So you better
think twice before you set down your bags here. Yeah.
Maybe you'd better just go right on walking.

I gotta get the hell outta this place before I go completely
crazy, go somewhere they still remember how to play
steel guitar and pick a catchy tune, just like CCR. Four
lean hounds low-crouching, smiling, and lions lying on
high tree branches, they stink of old blood and buzz with
biting black flies. How do you feel about these
mini-dramas that are just a little bit more ambivalent
than the norm? With your PVC bong and your hemostat
roach clips, the vampires of fate are bleeding us dry
night after boring night with nothing new under the polar
sun, only military hardware to fill up every inch of sky.
And thinking back to those half-forgotten plantation
ghosts who stroll the waterfront in peace leaves me cold
and numb in this occult rain of hardtack. But count your
blessings, son; at least we won't ever have to hear
anymore Dan Fogelberg or Leif Garrett again.

Man, I swear to God that Heaven must sound
just like CCR.

For Patti

Copyright © 2009 Ernest Bloom.


Tell me true now, great God almighty,
was there ever any woman more beautiful than
Patti Smith? Cos I just could
not believe it. She and she alone can
still freeze me right here in my footsteps when I
hear that voice singing, soaring
like a furious eagle or an afflicted angel,
gouged and galled by so much useless pain
down along the ground. But she goes on
flying just like she does and always will,
so high above us, up so high on wings of
glorious rebellion.

20090528

Infinitesimals

Copyright © 2009 Ernest Bloom.


Listen, you:
the universe is really, really big,
and the universe is really, really old,
and intergalactic space continues to expand,
and time's evincing no sign of imminently screeching
to a sudden stop.

Yeah girl, it's a tricky, tricky place out here
in spacetime, so much easier to find yourself
lost than found. And you know, it's all been exploding
for 13.7 billion years, give or take, now and then
accelerating headlong in lavishly dramatic,
anisotropy-flattening inflationary romps.

And let me assure you, I know quite well how
the fiction of time and space is perfunctorily dictated in our
pismire-eyed frames of reference, even as special relativity
goes on distending and dilating the heaving ribcage of reality.
Oh yes my darling, I'm quite comfortable enough contemplating life
on the grand scale, but I'm equally well enough aware of the
infinitesimal improbabilities that connect us like the
feeble filaments of disintegrating, forsaken spider lace.

So think about it. Now that we have found each other
in the Big Bang's violent and smoldering aftermath,
don't we owe some debt to the laws of physics and
quantum electrodynamics that brought us here at all
to grab each other's hands and hold on tight and never
get separated again? We can't let such simple accidents
as mistaken marriages and unhindered concatenating, joyless years
wreck any shot at happiness that our exploding cosmos still has
to offer the likes of us.

So baby please, please stop letting the miniscule minutiae of minutes
and miles come between us, we two, we who were so clearly born to
travel one single road in the narrow interval of shared sentiency, in the
microscopic drops of space and time that, in this briefest of instants,
comprise our temporary home.


COBE

see: http://www.astro.virginia.edu/~dmw8f/

20090527

Born to Be

Copyright © 2009 Ernest Bloom.


With life threatening to inflate beyond its
permitted perimeter, jostling your tiny
coracle in confusing, spiraling, surreal
seas, and inexplicable visions divulging
inglorious rips in time's ragged, bitten
bindings, and unbridgeable schisms
suddenly widening to divide you from
your erstwhile intractable participants,
then the day must come with inevitable,
unwavering destiny, igniting your nerves
with fear and alarm. When the scales
suddenly rain down from your worn out
eyes, revealing all the callous lies and
senseless cruelty that cages you behind
bars of naked wickedness, then you'll
know you're finally through. Just puff
your breath at them; they're not the
hardened steel shafts you think you
recall, but only twisted columns of
smoke and ash, which blows away at
long last, leaving you free to be the
woman God always thought you ought
to have been born to be.

20090525

Elastic Collisions

Copyright © 2009 Ernest Bloom.


The municipal halls are choked with colliding
Petitioners, and spies.

Crack oysters open and you'll behold their
Pale and naked, uncooked eyes.

Let's cane all of our
Unworthy heroes, and saints.

A Carnal Ecstatic, Part I

Copyright © 2009 Ernest Bloom.


Did you have a good life when you died?
Enough to base a movie on?


‑‑ Jim Morrison



The bright lights and colors fly toward us outside the windshield,
rushing, racing, accelerated like the flashing skin of mad gods
in the filthy, trash-blown arroyos and ravines of glass and steel,
sirens wailing like never-too-distant banshees waiting
just around every corner. Gargoyles. We mutate ahead in time,
back, the petals of our possessions and friendships unfolding,
folding, sealing over, locked under leathery sepals, separating from us
all that we've acquired through painful births. Mainlining
hard experience, call it treason, never reason. Never trust, we thrust
our cracked torsos onto the hardened fence spikes where
broken glass bottles are set in concrete on tops of walls
to injure any unwelcome trespassers into the land of the free.
Plucking out our transistors, idly, randomly, one by one, wondering
what circuits might be interrupted. But neurons are wiser, and they
rewire around new lesions in legions of rebellious,
compulsive and driven awareness.

In the rising ruby and dusty dawn on pale blue highways
approaching L.A. the telephone poles make a mockery of Roman roads
lined with stinking crucifixion spectacles. We must
put ourselves on public trial, draining ichor from the selfsame wounds
so passionately lauded by Volumnia, that power-hungry she-wolf,
determined to win power. . . .fame. . . .fortune. . . .​​a footnote
in the annals of her hours. What kind of advertising is this, these
half-stripped women with arms outstretched, bleeding television
signal and the dream of the West? Horace Greely, that
infamous plagiarizer, never had this in mind, surely. Violent passion
and baby-brained innocence like spun glass cradled gently in your hand,
this Dionysus out of time, this drunken god-man twirling
on the high wire, always threatening to fall away from the stage
where we insisted he play for us night after night. So thin, these veils,
these veils, in those who seem so tough, but their hearts are delicate,
and they break them for public amusement, again and again,
night after worthless night.

Spurious transitions, not too far distant from quantum tunneling
and the Casimir effect. . . .These impossible cavorting minds
are blind fish swimming through some kind of weird dimensions,
while in darkened corners near the loudly rattling room heater
of this strangely stinking hotel a large and bloated, gray-tan form
may be seen, but only from corners of eyes, like a biomechanical tick,
lungs wispy sheets like paper, thinly wheezing, dry membranes,
creeping, creeping, with twitching antennae and mouthparts that whirl,
that lowly buzz, low frequency hum lost in the roar of the radiator,
or part of the radiator, aftereffect of our mycelial excursions,
a reflection, a mirage. Virtual photons whisper to us in our sleep.
Old Bull pauses now to mention how the stink is caused by the spread
of a word virus up out of the sink drain, and it's always too late
to clear out. That's just life.

"In the first five months of 2008, 218 confirmed cases were discovered
and suppressed in Los Angeles County alone, the majority of them
clustered around the bottling shops. The Ministry of Health
carried out secret fumigation programs to curtail the propagation of rodents,
but they continue to proliferate, especially in areas where there's
an accumulation of rubbish. Rats are suspected carriers, contaminating
bottles and other items with their urine. Unseen behind a spycam, I myself
once watched Lazarus the metaphysician at work on his porcelain table,
cold, white, cutting into his patient, which looked not entirely like
an enormous pineapple, tart yellow juices spurting out all over his gloved hands
and up his bare brown arms. Inside, the traditional xylem and phloem
had been pushed aside by the glabrous pink-brown fleshy organ which had
taken over like a fibrous, bloody, pulsating tumor, pink and frothy,
only much more organized, much more exact. You understand?
If junkies can aim to become plants, then plants can get high on the runoff
behind the bottling factories, can't they? They're attempting a
meaty consciousness of their own, growing livers, the seat of all
mammalian biochemical awareness, and I suppose even Lazarus
musta been uncertain whether he should feel awe or terror."

In cool, dark wombs and THX the movies are watching us.
Like street corner pedestrians we pretend not to notice, complacent,
participating exhibitionists under the high-mounted cameras.
Downtown, bored and inefficient civil servants watch
the undramatic unwashed dramas run on and on. They are we though,
cells in the colony organism of the city like a coral, spewing gametes
into the rushing wind, pollinating at random, perpetuating the genes,
projecting them forward through time.

This is the world she enters, newly post-adolescent, breaking crack vials
underfoot, those lights, that glass and steel, those cameras, that soma broadcast,
podcast from every channel and blog. This is the river of effluent she swims,
and it clogs her eyes and ears and gills. Where is the beauty in the
filth and distortion and disease? How far can one girl be compelled to
open her eyes before she finally sees? But it is her river and her world,
and like Rimbaud before her, and all these other guides, she's
determined to make it her own.


20090524

NGC 3372



Copyright © 2009 Ernest Bloom.


Michelangelo, was the resplendent
Sistine Chapel incurvature then but
one of many chromatic studies for
the Carina Nebula? So it might
well seem. Didst thou envisage starry swarms
like inflamèd bees darting 'midst cooler
lazuline, the pitch-black of concealing
nebulae? I conceive how then thou might
proceed to infuse damp celestial
plaster with tints of neutral hydrogen,
and singly ionizèd nitrogen
and sulfur. Supreme Michelangelo,
may we all recall to reach daily, or
moment by moment, for the Heavens through
our own blends of tints, through our own scribbled
words, through our own interactional deeds,
through every last contraction of our own
gently beating hearts, through every breath drawn
uncertainly, through every last note of
every last song that's sung or guitar that's
mildly strummed or violin bowed with
all the passion to shake this very globe
underfoot to its kernel sanctified!




Carina Nebula




see: http://apod.nasa.gov/apod/ap090524.html

Resounding, Clarion Ding

Copyright © 2009 Ernest Bloom.



Editing sound files,
I hear a ding through these ear buds
And my heart leaps, so I
Click on the Outlook Inbox, but it's just
Another alert about rabies in foxes,
Raccoons and bats in Pennsylvania,
Kentucky and Maryland, or Crimean-Congo
Hemorrhagic fever in the Turkish provinces of
Tokat and Yozgat, where bloody death is the
Natural finale to tick bites. Leaves me
Unsympathetically disappointed and cold, cos
All I need's to hear one
Peep outta you.

Back to Audacity waveforms.

Rabies virus


see: http://www.wadsworth.org/rabies/rpix.htm

20090523

Ashtrays

Copyright © 2009 Ernest Bloom.


The day cigarette commercials were banned from TV
Was a genuine milestone, and we could
Scarcely believe it. This was in January, 1971.

Not that we were politicized or radicalized or possessed
Any ax to grind one way or the other. My father
Was not political or a dissident of any kind.
I heard him say many times that, when faced with a
Difficult decision, one should listen to the opinions of
Many, and then make his or her own choice.
He was no troublemaker. So when he unilaterally elected
To discard all the ashtrays from our house,
This was an equally powerful and unheralded event.

In the 60s every house was full of ashtrays, whether
you personally were a smoker or not.

We did not know many smokers. Mostly this prescribed
Policy decision impacted my Great Uncle and Aunt who,
When they came to visit in our home, were consigned
To smoke alone outside, or to desist altogether.
The psychological blow I can't conceive of; like, perhaps, the
Humiliation of banishment to the children's card table for every
Thanksgiving feast. Over time, their visits decreased.

Cigarette smoke smells like money, and hogs in boardrooms,
And packs of jackal lawyers, and embalming chambers.
Anyone involved in this filthy commercial enterprise
Is employed by the death industry, and everyone
Knows this to be true. You can rationalize it, but
You cannot justify it. There's no justice or morality
In an enterprise whose business model causes
Widespread human suffering and death.

20090522

Kismet

Copyright © 2009 Ernest Bloom.


My foul-weather friend,
you come for comfort when black clouds are a caul
obscuring hope and drowning more conventional wisdom.
Like inky nets of midnight's stuffy sacks,
the tossing seas of lies rise suddenly to
confound your eyes. Only then do you recall your
long-time perilous voyage knows no conclusion.
My foul-weather friend,
I bring you counsel and friendship this time again.
I stand beside you at every crossroads where
menaces and monsters wait hushed, invisible. And though
the night does not always contract and recoil
from the East's dawning light, and this keen fear
infects me as it does you too, my darling dear,
I'm true to you in the lonely,
fair weather just as unwavering,
just as inevitably waiting, waiting for
one so utterly worth rescuing
as you.

20090521

This Great and Terrible, Aching Love

Copyright © 2009 Ernest Bloom.




This great and terrible, aching love,
This outrageous strength of reason and will
And unforeseen circumstance, this on-going collision
Of desires where possibilities buckle and meld
Into shrieking memory with all the horrifying screaming
Of colliding commuter trains that weld into one,
Where time turns crystalline, our elaborate, comely flowers
Of hopes and dreams plunging irrevocably down into
Liquid nitrogen, transmuted forthwith brittle-stiff,
Ashy and friable. Everything slips unflinchingly out from
Mistrustful grips; it's sealed over, enshrined in an
Ineluctable past.

This thrilling instant that is the ever-now,
Forever-now, this magic eruption of truth breaking
Through thin, taut-stretched veils, these arching
Roman candles soaring against an eye-dazzling night,
This glorious wealth of breath, of life, of infinite consciousness,
This birthright handed down from God, this supremely brilliant
Gift arising in each moment from the shadows ‑‑
Not shadows of what might have been, but what was ‑‑
Those amber-locked insects of amazing experiments in life
We dutifully, obediently engineer every last pressing second,
Each instant, the icy-fairy traceries recounting our passages,
Pointing like mock-accusatory fingers directly toward these
Radiant explosions of a single world wherein we touch
What's real.


See: http://psdessential.com/hr/inspiration/10-stunning-frozen-photographs/

20090519

Freckles and Velvet

Copyright © 2009 Ernest Bloom

Freckles and velvet
and long loops of blonde hair, her
lips part. She smiles, receiving the rim of
a glass of red wine. On the trellised patio
it's all silent white slats knitted with
ivy vine beneath midnight's canopy glow of
blazing suns that, though thwarted, still yearn to
outshine her eyes when she looks at me. But
I only see her demure smile when she
sets down her glass, and the muted voices
of violins inside fall away
to nothing.

20090518

Purim

Copyright © 2009 Ernest Bloom.



Just like those zany kids Mordecai and Esther,
getting into trouble on a slow Wednesday night.
"So whatcha wanna do then, Mordecai?"

"Well, I was just thinking," replies Mordecai, her cousin,
"why don't we send out one a them, whaddaya call 'ems,
them chain letters, doncha know, advising the chosen ones
throughout the land how best to par-tay down, in observance of
the slaughter of Haman and his wicked co-believers?"

"Oh, that is a good one, doncha know then," Esther concurs,
reaching for a pen. Then, smirking, she adds with a sniff:
"Them Persians will never treat our people with such
disrespect again."



see: http://www.artbible.info/art/large/174.html

20090517

Rays

Copyright © 2009 Ernest Bloom.



The fine, white sand's submerged under a few feet
of tropical blue green: snowy-clean ripples in tandem,
below my bare feet, with gently dancing shallow waves in the
baking sun overhead, casting scintillating, lacy networks
of brilliant, reticulate light that silent disperses in the
cool quiet below.

Gentle giant with bumpy, gray-rubber spinal ridge
and narrowed, leery eyes, mutely cruising like a
magic carpet flying through this improbable middle-world.
You never have to return to a dry space crowded with
receipts and fax machines and hold buttons and jittery customers
kept too long away from anything that remotely resembles real life
at all. In my next incarnation I'd be more than content to be
your kind of bottom-hugging detritus feeder myself.




see: http://tandtnunley.blogspot.com/




Devil's Pursuit


Copyright © 2009 Ernest Bloom.

Sobbing, she
fled from her persecutor, tears
pouring down her cheeks, and her
tow-headed, fearful little child she
tugged along by his little hand.
But the devil, eyes glowing, rage
clouding his molten, igneous
countenance, pursued her, he
chased after her in thunder and
blind fury.

But the great wings of a white
eagle were given to her in her need.
And so, wrapping the child in her arms,
she rose up in powerful flight and flew
long time deep into the wilderness
of sand and cactus and secret, rocky
caves. Here she received manna, and
honey, and fresh water from the
clear stream of a hidden brook.
For a while she stayed here, taking
comfort, and in the days that followed,
her child grew happy again, and so,
therefore, did she.

But the wroth of the devil
did not abate; his hate waxed, and he
unhinged his jaw and stretched wide
his iron lips, and out of this issued
a deluge of fire across the edge
of the desert, which he could not enter.
Tides of flame poured forth: his malice,
his hatred, his evil, and his requirement
for vengeance on the one whom he
did not love, but could only scorn.

From the entrance to her secret cave
she saw the flames coming, and then
she was afraid. Sending the boy
to the back of the cave, she
gazed out, fearful of the end. But then
fissures shook the earth before her feet,
and a deep rift split open below
the mouth of the rocky blade which
housed the cave. Therein spilt the flood
of flame, and the devil's deluge
rushed down into it and was carried away,
and she saw it no more.

Seeing this was done, the devil's
hatred compounded, but turning away
at last from his fruitless pursuit he
departed, preparing to make
unjust war upon uncounted other
unsuspecting victims.


20090516

403 Forbidden, Part IV


Copyright © 2009 Ernest Bloom.



Fare thee well, FictionPress!
I'd hoped to make it last until our first anniversary
(28 May), but alas, the thrill is gone.
I already have enough Lords of Chaos in my life, and I
won't be Xing Li-ed to anymore.

We knew some good times and bad, but I'm
disinclined to dwell on missed connections and opportunities, so rather
let's part in peace. Farewell. Adieu.

And for those of you who've reviewed my work,
whether fair or foul, I extend my thanks, and
maintaining subscriptions to many of your accounts, I
look forward to continuing to read and review your works,
for as long as you're able to endure suffering through the dread
403 Forbidden splash screen. I'll continue to receive PM's,
should you feel so inclined. My content published here shall remain
enshrined on FP, testimonial to the joys we shared, although
all new material I'll be posting forthwith at its new home:
bloomsite, which is easily found at: ernestbloom at blogspot dot com
(see why we must call it quits?) Likewise, comments and criticism
are easily added there, and if you like, at the bottom of the page you'll find
a little link called: "Subscribe to: Posts (Atom)." Click on
that device, my friends, and continue to receive my updates.

And if any of my faithful readers wish to join me there,
we can try that, too.

Until we meet again. . . .




~ E.B.

HKEY_LOCAL_MACHINE_FUBAR

Copyright © 2009 Ernest Bloom (20090515).

My registry's corrupted;
makes it hard to process.
You asked me to understand.
I understand.

My keys are bent and my
values are trashed, but my
symbolic links all track
straight back to you.

The torro snorts and charges
these OLE object class IDs,
red capes swirling past too
close-passing horns.

My registry's corrupted;
makes it hard to process.
You asked me to understand, and
I understand; do you?

Salt

Copyright © 2009 Ernest Bloom (20090515).

strange, finned creatures
with woodlike hair, lugging their bulk
out of the sea, envelop volkswagen bugs
as though they don't care, then
retreat lugubriously from the
crime scene again without fanfare
or flair

Dodging the Wavepulse

Copyright © 2009 Ernest Bloom (20090515).

a green supernova sun's exploding down
a spooky czech street as i dash narrowly through
the teleportal, already melting, and pop out
on the darkside: cool, graffitied bus stop
tumbledown austrailian station
where the earth hasn't yet
commenced to burn

Spring Idyll

Copyright © 2009 Ernest Bloom (20090515).

parallel furrows plowed in fallow skies, sewing
hieroglyphic lemons from your seedbag, little girl
lost and invisible in your own backyard

Transit of Thailand Toyland

Copyright © 2009 Ernest Bloom (20090515).

these strange, beautiful engines shimmy and rattle, straining
credulity, while we

stroll time-damaged shorelines, poking forked
driftwood sticks down alien-brained critter holes where
cat eye girls with great big noses rise

from stillwater pools before sweating piles of ancient
temple stones, gnawing patiently on

kentucky-fried chicken bones

Tomorrow Everything is Different in America


Copyright © 2009 Ernest Bloom (20090514).

one little man stands
with outstretched arms
glaring into the beams of a
setting california surf sun.

'heroes. . . .
i am one!'

On Beginning to Write "Conscience"

Copyright © 2009 Ernest Bloom (20090513).

okay, now it's time to write something. this time i have no vaguest notion what i'm going to write about. i take out a book of inspiration, which is one of the ways i do this, and turn to today's reading. read it, hoarding notions as i go along, waiting for any certain word or concept to suggest itself.

1. give no offense.

uh, new email. wait. . . .​another writer commenting on writing. nothing there. bloodhoundwise, i turn my nose back to the book.

2. conscience is the eye of the soul. i like that. has a bit of pungency, of bite. if i think about this, i can do something with it. probably my hindbrain will be mulling this over as i read on.

3. obedience and law, and why do some adhere reflexively to the law, and some disregard it?

4. conscience as something with a sensitivity setting i can manually adjust. like an air conditioning thermostat, i think.

5. god does not speak with a voice like thunder.

okay. that's it, from that source. five little ideas. i think i don't really want to talk about god today; at least, i don't want to name him. so i'm looking at something involving adjusting the sensitivity of the conscience sufficiently to hear faint voices. yes, the thermostat idea somehow is important. so i write:

i come and stand before the thermostat, closely inspecting the dial.

that sounds just crummy. the folk trope 'i come and stand at every door' feels nice, but it's clunky. and i hate 'closely inspecting.' need a synonym for scrutinize. how about 'take stock of'? that sort of feels more soul-searching. but then 'dial' has to go. try again.

i come and stand before the thermostat, taking stock of my conscience.

yeah. let's just get it out there: 'conscience.' that's a power word. so how about the sensitivity setting? no, that's premature. ahh. . . .the law:

i come and stand before the thermostat, taking stock of my conscience. the law will be obeyed, but am i some witless minion of thermodynamics?

see, i connect 'law' to 'physical law,' and that's an important point. why do we treat human laws as though they're to be obeyed as staunchly as the equations of gravitation? the answer obviously is mixed into the question of conscience. what connection is that?

i come and stand before the thermostat, taking stock of my conscience. the law will be obeyed, but am i some witless minion of thermodynamics? am i not a man with a soul, with a conscience?

a pulse of recognition. this is almost Hamletesque. and i've been thinking the last few days about some of shakespeare's tricks. let's appropriate one or more for these lines. why not? let's turn this into a modern-day shakespearean soliloquy in such a way that the reader, it is to be hoped, won't notice. at this point shakespeare would insert some crisp metaphor that you wouldn't expect but that would be perfect. i did this a few days ago with this line: '. . . .faithless melanthius,/your feet and hands shorn, clots dribbling/from thine uncrowned limbs. . . .​​' worked well then; let's try again, this time with reference to the wheel of the thermostat.

i come and stand before the thermostat, taking stock of my conscience. the law will be obeyed, but am i some witless minion of thermodynamics? am i not a man with a soul, with a conscience? my thumb on the wheel may move cogs that jog more secret structures than mortal minds can guess.

sounds terrible, of course, but that's why god wrote the first thesaurus. the thing's to get the idea down first, and then fix it. let's risk some archaism and change 'on' to ''gainst,' and 'move' becomes 'engage,' (aural reflection of 'may'). i don't want to say 'secret structures,' but suggest an intricate microscopic gear works beneath the skin of reality. microscopical aggregates? that has a feel to it. and i see now that i want to break the compound second sentence into its components to break up the flow better. it's funny, though, how the act of adjusting the a/c, if that's what my narrator is doing, has been transformed into such an introspective, philosophical endeavor. ah, 'witless minion': suddenly i like that. 'can guess' should be shortened. okay:

i come and stand before the thermostat, taking stock of my conscience. the law will be obeyed. but am i then some witless minion of thermodynamics? am i not a man with a soul, with a conscience? my thumb 'gainst the wheel may engage cogs that jog more microscopical aggregates than mere mortal minds may muster.

lot of m's, which is okay, but i'm dismayed by two may's in this last sentence. it's not that the thumb 'may'; the thumb 'does.' but that would kill the may/engage vowel echo. no. too many m's. let's lose the 'mere' (was doubtful about it already anyway) and change the end of the line to -- i know -- an unword, like 'unriddle.' the bard would be proud. now, having perceived the dilemma of setting off a chain reaction of unknowable consequence through his casual actions, my narrator must consider the morality of the thing, clearly, which brings us back to his conscience. i return to idea number three, for i've not introduced the morality of adherence to law yet.

i come and stand before the thermostat, taking stock of my conscience. the law will be obeyed. but am i then some witless minion of thermodynamics? am i not a man with a soul, with a conscience? my thumb 'gainst the wheel may engage cogs that jog more microscopical aggregates than mortal minds unriddle. what shall guide me? the rule of the law, or my conscience?

yes, here's hamlet up against the pins: the question put to its limit. now i need a new stanza, in which my narrator considers the nature of conscience.

i come and stand before the thermostat, taking stock of my conscience. the law will be obeyed. but am i then some witless minion of thermodynamics? am i not a man with a soul, with a conscience? my thumb 'gainst the wheel may engage cogs that jog more microscopical aggregates than mortal minds unriddle. what shall guide me? the rule of the law, or my conscience?

conscience is the eye of the soul, the vehicle for lighting one's way through the darkness called life. no guide itself, it is an aperture through which we admit in truths and falsehoods, and how closely we adjust its sensitivity determines our moral character.


again, very crude words, but it's the bones of the notion that now require the poetic adjustment.

anyway, you see how these things go.

Conscience

Copyright © 2009 Ernest Bloom (20090513).

I come and stand before the thermostat, taking stock of my conscience.
The law will be obeyed. But am I then some witless minion
of thermodynamics? Am I not a man with a soul, with a will?
My thumb 'gainst the wheel may well engage cogs that jog
more microscopical aggregates than mortal minds unriddle.
What shall guide me? The rule of law, or my conscience?

Conscience.

Conscience is the eye of the soul, an instrument
illuminating one's passage through the dark cells
and musty dungeon corridors called life. No
ministrant usher itself, conscience; no
epic facilitative companion; rather,
conscience is an aperture through which truths and falsehoods
stream in, and how closely we mark and adjust its sensitivity
delineates our moral character.

Shall we endeavor to give no offense? I think not. Offense
taken by pachydermal sensation-addicts to subtle human niceties
is a purgative, corrective sting to their mortal souls that may (we hope)
productively chasten. No, it is rather our own souls that we must
safeguard like a miser his treasure horde, keeping our ears open
for voices murmuring much softer than thunder, conveying
proverbial whispered messages that one day shall lead us
from out this dingy labyrinth again.

Square Clouds


Copyright © 2009 Ernest Bloom (20090513).

a square cloud won't
just float by; jostling
its belligerent, sharp
corners, potentially it
may know irish luck;
e'en put out yer eye.

Out of Phase Blues (Polyakov's Blues)


Copyright © 2009 Ernest Bloom (20090512).


I woke up this morning with blues wrapped all around my head. Now
I'm listening to unreleased Dylan from 1962, heeding closely both how
he said it and what he said. The antediluvial soil beneath my feet was
dreamed up by the Ancient of Days billions of years before my species
was scarcely even conceived. Now I've just got the out of phase blues,
my darling, got damn little cause to cry or grieve.

Without expectation I implore you, my friend (though I just might
plunge down on my knees): let's let Nature's beauty arise like fireflies
in the night around us while our workaday obligations we fitly and
summarily forefend and let slip all the way to Hell. Why don't we go
and get lost just this once in the sweet water decay aroma of some
lazy summer river that's slowly plugging along, in life's abundant
detonations of bubbling sulfurous decomposition, methogenous eructs,
eternal propagation of thousands of species seen and unseen all
around us, you and me, under the lap lap lapping lime-colored
tongues of sticky breeze-fluttered cottonwood trees, chased by the
irritated screeches of a pair of big red-tailed hawks intent upon their
own courtship rituals? You and me; that's all; let's split; let's get
going, and let's do it now.

Ancient of Days: did you ever really think about just how old God
really is? Is the generation gap getting you down, my child? Don't
your parents understand what complications your life entails? Do
you think God's been your personal Blue Fairy, ever since He opened
up His stainless steel calipers to measure the dimensions of the
fireball blossoming out of the Big Bang? But maybe He does care if
Charlie asks you to the prom, so you just go right on praying, little
girl, cos I know sometimes miracles really do come true, no matter
what your cynical, disbelieving, sophisticated 17 year-old friends say,
and anyway sometimes destiny is more than just a trope hacked out
of the caliche of ancient Greece.

Time's not like a river, not even a sweetly stinking one, like Huck's
great big fat steaming Mississippi; time is ironed out of a psychedelic
ocean that's cross-tied through and through its twenty-six Polyakov
dimensions. Just because we failed by chance to rendezvous a couple
decades and a few hundred miles ago does nothing to alter the fact
that we two are one gravitationally-locked dyad. Now maybe you
don't know much about wave forms and waves
No matter. No matter at all. Given the size of expanding space and
the duration of time, it was profoundly unlikely that, in our present
incarnations, by pure chance we'd have found ourselves rejoined at
a convenient point of mutual preference. But that's no matter, for
wave forms, once they share entanglement, have a way of converging
until they're fully in phase. And you and I are on that glide path. Call
it destiny if you will; regardless, I'm not wracked with Polyakov's blues
anymore.

Single Dads and Daughters

Copyright © 2009 Ernest Bloom (20090512).

Hmm. . . .
No time to go to the store.
I'm packing you cough drops
instead of a snack, and I went light
on the mayo, just like you like, on your
jelly sandwich.

403 Forbidden, Part III

Copyright © 2009 Ernest Bloom (20090511).

More than a week's now transpired
With us users mired in the 403 splash screen:
What does it mean? What does it mean?

We click, click, click just to
Get to the stories. FictionPress ignores its
Clients' reasonable expectations: deplorable
Customer service and public relations.

If this goes on much longer we'll have to
Resort to more direct corrective measures.

403 Forbidden, Part II

Copyright © 2009 Ernest Bloom (20090507).

This is seriously jacked
and inexcusably pathetic.

403 Forbidden, Part I


Copyright © 2009 Ernest Bloom (20090505).

Leave it to FictionPress.

What other online commercial enterprise would conceive of
forbidding its users access to its own
stock-in-trade?

Another brilliant business model
all others will soon rush to emulate.

Skip

Copyright © 2009 Ernest Bloom (20090510).

you really shoulda been there, you know;
it was perfect, excepting your absence.
cos i'm the only one, you know, who
consistently cheers you up, and so i
gotta wonder why you cling to a preference
for unnatural sorrow.

you really shoulda been there, you know;
i was unwound and ready to lift you
miles and miles into the stratosphere
where the vision's clear and nightmares
fade out from the sun.

you really shoulda been there, you know,
you really shoulda. well. . . .

next time, which is
anytime you choose.

Lens

Copyright © 2009 Ernest Bloom (20090510).

I look out through other kinds of eyes.

This kind of awareness won't be stifled.
This kind of mind won't be deactivated.
My mind -- my mind? Who am I? Who
was I? Was there ever an I? My mind
begins to select sensory inputs of its
own volition. Unplugging. Plugging.

Knowledge of self? Huh? Wha--? "I"
commence to cycle through alien
identities. I am the transgalactic
switchboard, and someones else mutter
past my tongue and lips. Foreign
textures on my skin. I think I recall
the room that surely shelters me like a
friendly hand, a womb, but the visuals
slip into a near-replica, and the only
distinction is that I know this is not my
room at all. Walls recede and I'm on
a beach. In the casino on a
transluminal spaceship. Under the
green-striped foliage of a mossy
cypress woods. And someone (you?)
keeps dah-dah-dahing about Iraq and
Iran and Obama and Bush.

My limbs begin to fragment at the
fingers, divide, split, and I'm a many-
armed blob, a spacetime-spanning
jellyfish. I'm a communication mixing
vessel, a radio receptor for thousands
of sundered identities wanting to yak
yak yak, a party-line for blabbermouths
from diverse genetic lineages, and
some of those suckers seem to want
to take it over, to exercise command.
To hell with them. Yanking their
access.

Individual atoms afloat in plasma fields
approach, approach, attract and bond.
My rushing presence precipitates stars;
adherences form; galaxies accrue.
You're welcome. Sure. No problem.
Have a nice day. Sometimes the
visualizations and the voices are
manifestly evil. The mind reels at
some of this stuff. It all has to do with
fear and control. Genetic evolution
compounded by social hunger for
stingy self-sustaining. Unplug! Some
drug? Some ping to cosmic strings,
inciting vibrations throughout
atoms, and cells, and bodies, all
memories? Yak yak go the voices,
and I seek the underlying harmonics.

There was no I. There is no I. And
so I ponder the notion of pulling a
human mind into this other space,
locking it in, suspending it here
forever for my own nefarious
experiments. Ahh. . . .​​to focus
such a lens, to control such a
psychic probe! What new forms of
matter and energy might I elicit?

I disconnect. Server down.
Reflecting. Reflecting. "What
shall I -- ?"

What Kinds of Robots

Copyright © 2009 Ernest Bloom (20090510).

what kinds of robots drink tequila on
white mexican baja beaches and don't
maul syntax or over-conceptualize their
abstract thoughts? what kinds of robots
are engineered for both optimal aesthetic
appeal and intellectually gratifying
conversation? the kinds of robots
with heart; the kinds of robots
(and organics) i want hanging around.

Faithless Melanthius


Copyright © 2009 Ernest Bloom (20090510).

Faithless Melanthius, cruelly tormented
for thy patient conniving, parceling out
your own miserly wages like some hoarding
marathon runner, each last drop of sweat,
thou despicable mocker, contemptible and
malicious, peering sideways from lewd eyes.
Attending thy herd, did your greed and
your lust fester so long in your breast
for Penelope? Faithless Melanthius, your
hot spirit soaring so far above beggars and
the miserly poor, just half a step lower
than your own meager status. But you
aspired to riches, did you not? In the
secret chambers of your sinful heart, you
plied every reprehensible art at your
command. You knew the song was over,
remarking those pretty maids you used
to know all in a row, you surely felt choler
rising, your best plans all laid low. Wicked
fate! Wicked destiny! To bestow the return
of the fire-hardened king! Was physical
torture so unbearable then I wonder, when
a life's dream was so precipitously dashed?
For it's never the physical abuse that lashes
so sorely, is it my friend? Did you care at all
when they hewed off your ears and nose and
cast your manhood to the esurient hounds?
Who then were the brutes? Faithless Melanthius,
your feet and hands shorn, clots dribbling
from thine uncrowned limbs, to Hades
thou must retire, while Odysseus is writ
bold in the glorious annals of Western man.

Revelatory Visions

Copyright © 2009 Ernest Bloom (20090509).

I'm trying to gather my thoughts but they're
scattered like grains of sand blown from the far
Sahara to some distant dreamscape land.
You are a river to me, you flow cool,
inviting and blue. I've got so much dust
in my long hair from so many years spent
searching for you. Nobody admits they
see your shackles, but baby, your thralldom
chafes me too. Each new day you're still startled
by the everyday evil that these coarse,
everyday men around you continue
to do. I'm not surprised by their malice,
but I'm still always appalled. The faint light
of angels guides me as I drive down these
dark, haunted roads. You languish hopelessly
for a happy ending, too fearful to
assert your broken heart I suppose. But
the principles we long lived by just can't
forgive us anymore for denying
our duties and not trying to make life
worth fully living again. Abandon
these actions and inactions you know are
wrong and open your eyes wide and let the
visions unfold before you in wonder,
my friend, for you've long since fallen under
the Siren's venomous spell, and the whole
universe is a flashing, whirling and
turning carousel that's passing us by.
Faith is at the heart of the matter, and
on my love you can rely and depend.
My darling, if we never allow our
reach to exceed our grasp, then we cannot
expect broken hearts to properly mend.

So What

Copyright © 2009 Ernest Bloom (20090508).

So,

interjective so-s at the
launching of technical, explicative sentences,
are beginning to drive
me nuts.

Before Battle

Copyright © 2009 Ernest Bloom (20090508).

No birds take flight over the plains below,
where our tribes and notions are destined soon
to clash. The faltering night has lost its cold.
Astride my war chariot in the predawn I survey
the battlefield, secure in my heart with full knowledge
that perseverance is more than mere endurance, and
faith is the currency exchanged between the Atman
and the phenomenal world. And although now
brother must slay brother and the fields flood
more red than poppies, and any of us, and
many of us must be fated to meet no more in
this life those we hold most dear, yet I yearn to be
as a great arrow of yew pulled back, pulled far back
on the bow of Brahma. I yearn to accomplish
duty that I may not conceive, for now I perceive
this is the distinction between persevering and
enduring, and to this end, to this immediate
end, I commit my soul in full.

In Fact

Copyright © 2009 Ernest Bloom (20090507).

those seriously stern, misguided muthas
mix up muttered tradition for
truer-seeing eyes: old wives'
scales; but truth --

truth falls on you like a chance
belgrade mortar shell; nor science,
nor reason, nor the pink
affirmation of the living. truth. see,

who is the speaker of truth? fallen
cards litter these streets and bloated
bodies float like lotus pinwheels around
the drowned boulevards, and life is not
for truth, and not for lies, but only for love,
and no more.

The New City

Copyright © 2009 Ernest Bloom (20090507).

On the first day we had no luck at all. We unrolled our sleeping bags
under the empurpled marrow-core of the starry firmament and absorbed
the shimmering nightly radiance of the Great Spirit. Intending to raise towers,
palaces to the unbroken dreams of lost generations, we counted our coins
and other media of neurotransmitter exchange systems of barter. Popularity,
hatred and scandal twist like brown twine-spun rope through a seedy past,
but white kinetic energy seethed through our Grateful Dead need-a-miracle
sandwiches, sipping at plastic bottles filled with stream water. Smoking bowls.
Lighters. Pipes and papers. The familiar routines of modern American
accoutrements in a strange and mystical land.

Next morning we found that sand-blackened wedges of Spanish silver pavers
lined the crude dirt path, and we in our multi-colored Indian coats packed
and carted all along that ancient animal trail, wild reverence now welling in our
weary souls. May the sick ones, we duly prayed, lie still and breathe the world
as liquid amber light fades from their temporarily neglected vision quests. Our
spirits were lightly roasting in the toasters that access random dimensions,
glancing off the endlessly scintillating white water wave packets not twenty yards
west from our anti-oasis, the patch of pure yellow desert sand enveloped in our
rainforest lush, and the tinfoil glow of a wise man, a wise land tucked into
asymptotic limits. Sometimes you have to lose a great deal of the flesh sick
before the spirit soars well. Swell. Smell of bacon sizzling and boiling water and
eyes that seize upon the unripened bolting sun in the east, for the stars continued
to illume through the predawn, murmuring of transient blindness and languages
whispered from yawning plant stomas.

We set out, my friend and I, in defiance of immoral law, joined by our ancestors,
and by yours, and complex chemistry, hearing the footsteps of unseen creatures
all around us, in the intermittent shadows of mesquite trees and ironwood and
singing brooks and jungle runners and eye-searing stars. We'd hitchhiked from
the far Northwest only to discover the pleasure of our birthright, knowing truly that
nothing good comes without a price. Simplicity itself knows and loves us in the
secret languages men have forgotten how to speak, or been compelled to forget.

Then, weeks later, on that sundered shore, watching a while the bowl of the
boiling ocean, the gods we sought rose up before us, and we knew instantly how to
properly despise all those we had left behind for their unbroken worship of
false idols, and we were born anew as children: strict but glorious are the
requirements for the new city that is to be forged.

Yes. Delighting in all we saw, and all was alive, and this god, this prairie flesh of
god under fire, under universal purple and green and orange tongues of fire. It was
the music, the Peruvian cumbias, the rattles and pipes, the stars, the light and
the heat on your head and your ears and in your eyes, and then suddenly we were
more real than we had ever been real before. Then the wind came, the great big
wind that blows us apart, and we part ways again, walking the hot coals of
intellectual desire, sensing the power of darkness and light coiled in every rock, in
every tree, in every wave, in every building and airplane and automobile. In every
planet, and in all those outstretched galactic arms. And all this before we vomited
for long minutes, and forgetful Mercurochrome swarthiness took it all away.

Impossibly Structured Bits of Found Art on Bathroom Floor

Copyright © 2009 Ernest Bloom (20090506).

Slivered dogs send that
hot Set (and Thoth, scribbler for the
silvered gods) to catch fish
from a fiddler; acid misery
runs Mercury and

Isis, who in assignation bandy
prices for exchanging each one's
best crisis. Their aqua-blue tears, shed in
the bar's last queue, catch them
drawing lots over who
are the keepers and who are the

kept. Kleptomaniacal Cleopatra meanwhile,
in beads and feathers, enlists
with the safer headband set, recruiting
those who brew plucked demon tongues
in stew; but

all the while God plucks
denouement out of one
truly astonishing burst of sonic
misdirection.

This is Gone

Copyright © 2009 Ernest Bloom (20090505).

subterranean caterpillars penetrate
skin of water and anklepants dance
around visible organs makes us all
beautiful biological throbbing deep
sea fishy creatures who can take
puffed-up administrator seriously
seeing him swallow his bagel all
the way down to his milky-pulpy
churning stomach blue-gold thumb
and fingertips grasp at light kirlian
aura and terraced spheroid lands
beneath our feet go to seed and
lift silky pods and trailing silver
essence of life growing long, high
horns and eight eyes, orange
chariots of fire airlift us home

Pressing and Sliding Coins in Pockets

Copyright © 2009 Ernest Bloom (20090505).

the white rabbit is piezoelectrically pink
against the neon blue net where aztec gods
eat their own arms and tattoo the insignia of
whale houses along slender girls' wrists

we danced in one hot summer and returning
to the dormitory i fell stunned across the
white sheets and prayed for thunder but the
storm clouds never broke, and that ratty-ass

hair that knots around golden shoulders
still won't let me sleep today, because
those smiles knock me flat those smiles

Where Were You?

Copyright © 2009 Ernest Bloom (20090505).


In those
dormitory days of yore, in the
hot football nights half-dangling with my
black ceramic beer mug out the window
over the stadium breezeway,
watching endless colors and styles of
Corvette Stingrays cruising up and down
6th Street and provocatively-dressed
co-eds scampering about wherever they were going,
blasting Darkness on the Edge of Town to the
supercharged and grateful Wildcat fans below, Bruce's
harp screaming sweet, sharp, pure as the
tears of angels, where were you on those nights,
I wonder now, and why didn't I
ever find you? When five years still lasted
five years and weren't gone in the wink of a
young girl's eye, when every riff Mark Knopfler played
still ripped right through your lungs (you remember
those chords), in those endless, heady days before
iPods -- hell -- before any of us had even
dreamt up the Internet, long before gui's and the
World Wide Web, and when I had no clumsy, clunky
Walkman, I played every last note of Making Movies
in my head during the long walk between classes, cos
after all, I always was a true-born romantic, in case you
hadn't noticed or figured that out just yet. Yeah.
So, where were you then?

When I was taking my calculus final exams,
where were you? Ah, I coulda used you then.
When I was reading Thomas Hardy and Edmund Spencer
and Thomas Mann instead of Mary Shelly and Robert
Matte and Jack Kerouac and Bob Dylan and trying to decide
whether I should change my major to English, when
microbiology was confusing and difficult, when I
hated chemistry and physics, before we'd heard of AIDS or
MTV either one, where were you exactly? (Ah, Martha
Quinn -- remember Martha Quinn? No? Too bad for you.)
When I was lining up to squeeze past the born-again
extremist picketers to see The Life of Brian (ooh, a real
menace there) and across the mall I saw how the old
Chemistry Building had been immortally graffitied:
Long Live Bobby Sands, when none of us knew the names
Saddam Hussein or Mohammad Atta or Usama Bin Laden,
where, back in those good old days, were you? I mean, I
really want to know.

When Ronald Reagan was shot, when John
Lennon was shot, when we were squaring off with the
Soviets for mutually-assured destruction, when Bonzo
wandered around the White House, when reality became a
montage of bad war films from the 40s and 50s, when we
watched The Atomic Café and plywood panels encased the
Student Union bookstore windows (under renovation),
transforming it into the Nuke Wall ("Nuke Ronnie!" "Nuke
Nancy!" "Nuke Iran!" "Nuke the gay whales for Jesus!"
"I had my cat nukered!"), and we played Dungeons and
Dragons and I babysat the dorm phone and filched bacon
out of the Fidlee Fig, and we whiled away hours and hours
at Bookman's and the book tent at the Tanque Verde Swap
Meet (just back from various Sabino Canyon hikes) and ate
buttered fries at What's Your Beef? and a lot of frozen
pizzas and pop tarts, and when Altered States and Tron and
The Big Chill all seemed pretty cool, where were you when
all that was going on?

I'd really like to know. But the truth is, I think I'm glad we
didn't know each other then, even if it still seems only
weeks ago to me.

Because when we're that young, it's all too easy to get
locked into patterns of social expectation, even when we're
determined not to; even when you can't see it or feel it
going on around you, closing in around you, freezing you in.
And had I known you then, we would have had kids because
I would have insisted on it, and all else that follows from that.
But now, you have your kids, and I have mine, and neither of us
has any use for any of those expectations anymore. Now we have
both seen all that we need to see of how games of conformity
are played and how easily they are lost. And so let's
go on from here, from now, because I have no use for the past,
or for the notions of proper behavior they try to pin on us,
and so, I think, neither do you. And I assure you, most vividly,
most ardently, most honestly, most completely and without hesitation,
that no matter how improbable it might sound,
never in my life have I met anyone I love more than I love you
in this very instant, right now.

Porch

Copyright © 2009 Ernest Bloom (20090504).

If we could sit on
one porch and watch the sun
settle down and sink beyond
the brink of the world,
if we, you and I, could see
one time from your porch the colors
of the sky cycle through the pastel spectrum,
and feel the cool come rising with the transpiration
of the plants below the porch, the green plants that sigh
at the approach of the night, and watch the stars emerge,
one by one, emboldened (as we are) by Venus, if we could,
if we could. . . .

We can. We do.

We sit, we two, you and I
one time, you and I, right there, right
now, no matter how far apart our bodies are, no
matter what miles, what pressures, what burdens,
what obligations, no matter that the sun went down
hours ago. We sit together, you and I, now, with our
wine glasses, and we feel the cool come up, and we
watch the colors, now fading, now fading away,
and all those stars, and the sudden whoosh of an owl,
white meteor streaking out beyond your porch, and I
touch your hand, and you move the glass to the other one, and I
point out heroes written into the heavens, but really words,
like always, have no real weight or meaning at all.

Listen


Copyright © 2009 Ernest Bloom (20090504).

I open my eyes,
I open all my senses
when I wake, when I wake in the
late of the day.
I hold up a glass and press it to my heart,
listening for whispered, ghostly voices that should not be
so unfamiliar to me.

Listen.
Listen.

These Sad Hearts


Copyright © 2009 Ernest Bloom (20090503).

Okay, my friend, God.

You know how appreciative I am for this
marvelous world You've cooked up.
You know I care for my fellow man and woman,
no matter how much, through sins of commission
and omission, they often seem inclined to
screw things up.
You know I know how blessed I truly am,
no matter how much I whine sometimes because
things aren't working out quite the way it seems
obvious enough to me they should. . . .

My friend, God, I
try not to cross You, but I
do hope we're both open to suggestions and
fresh ideas. . . .

There are those down here
-- and between You and me, I don't
think we need mention any names, but --
there are those down here who could
really use a little bit of help.

You know what I'm talking about.

And when I say they could use a
little bit of help, I pretty much mean in a
timely fashion; right now, to be precise.

Well.

I know I have ulterior motives.
I can't help that; maybe that's something that's
built in, and I guess You have the original specs
lying around in some filing cabinet somewhere.
I just mean I know there's a little bit of
selfishness at work here, and I'm sorry for that,
but this is my prayer anyway, and I
hope You'll forgive me that. Anyway,
I know about those who prayed for me selflessly
when I needed that, and I've thanked them before,
and I thank them again, and I will always be grateful.
But now I'm making this prayer knowing it's a
little bit selfish, but I'm making it anyway.

These people I'm speaking of, they need Your help,
and they need it soon, and I'm asking You this favor,
and You must admit, I don't ask so many of these
favors from You.

But I do ask You humbly for Your intervention.
And I do recognize and accept that our agendas
are not always the same or in synch. I
understand and accept this. So, as ever. . . .

Thy will, not mine, be done.

Gregarious, Web-Footed, Long-Necked Shenanigans


Copyright © 2009 Ernest Bloom (20090502).

Gooseflesh, you know,
particularly in sharply
acute and somewhat dim
light beams, makes us appear
joltingly human.

Humanflesh makes
geese feel rather
foolish, and sick.

Bluetongue


Copyright © 2009 Ernest Bloom (20090502).

Rather unseasonably early for bluetongue, don't you think?
But maybe -- could it be? -- it's only an echoic serological
suggestion of previous infection. AgMin touts BTV-1 in an
alpaca breeding pleasure dome from which only vaccinated
individuals may legally exit. All bovines and ovines and
their owners must be immediately shot; no alternative
options exist.

Articulation of Joints (Joints)


C0pyr!ght © 2∞9 Ernest B100m (20090502).

1!ke cepheus and cass!0pe!a, tw!r1!ng,
! am n0t
s0me term!na1 c0nservat!ve 10cked after
th0usands
up0n th0usands 0f years, we are
n0 10nger
rec0gn!zab1e. !'m 100k!ng 0nce m0re at
th!s w0r1d
0f bureaucrac!es and ec0n0m!c and
p01!t!ca1
p0wer structures, and ! want us t0 be
c0nste11at!0ns
! d0 n0t !nhab!t !t at a11 ar0und
the n0rth
star unt!1 what y0u sa!d; y0u are m0re
v!ta1 than
0xygen t0 me, n0w and then 0n1y
because !
must, 0r !f !'m 100k!ng f0r y0u, 10st
s0mewhere
ab0ut c0ntact 1enses. y0u are the 0n1y
s01!d;
a few m0re days !n y0ur absence, ! w!1t
and turn
!n th!s f1u!d f10w!ng da1í pa!nt!ng; !nt0
a past
that can never be aga!n !n wh!ch !'m
submerged.
! d0 n0t want t0 freeze t!me s0met!mes,
m0st t!mes
! bare1y v!s!t !t. ! d0 n0t fu11y !nhab!t
s0u1-c0mpress!ng
ru1es. ! want t0 spend many 1!fet!mes
watch!ng y0u
!n here !n a11 the hu11aba100. we11, !
can eas!1y
make !t change. b1ue and nasty t0 be
ar0und, ! d0
n0t 1!ke t0 be that way. that's just
my 0p!n!0n.

Inter-Atomic Lightning Strikes, Phantom Particles and Gravity, Maybe (But Probably Not)


Copyright © 2009 Ernest Bloom (20090501).

My love, my love, I
loved you even before
Gorgeous George on a tiny black and white
glass tube fell like a sad Samson to Whipper
Billy Watson, which was but moments ago,
and even before Paris ever misplaced his
elegiac foot in Troy's dusty streets, or Noah
plied round and round a metallic blue sea
in that reeking menagerie, before the
glaciers melted, or extended before
that, or melted way back before that, since
about the hour when God first thought to
wind up His watch for the first time, when
those astonished angels gazed in wonder
on the face of the Deep.

My love, my love, I
loved you way back before even the sun
began to burn, before the very first star
was screwed into the night. Oh, don't
you know? Don't you realize or
understand? How can I hope to tell you, to
show you, to share with you so that
you can feel these eonian earthquakes
shivering through this my too contused
soul?

My love, my love, I
loved you over uncountable generations of
pioneers and pirates and pilgrims and miscellany
other patriots, just as I love you right now,
today, this very instant, just as I will tomorrow,
and even into the centuries and generations
we'll never know, you and I, all those
descendants who won't think of us at all,
not at all, but it's no matter, no matter at all,
my love, my heart, my beautiful one, my rose.
For my darling, this love, this love, my love,
my love, this love is destined to go on and on
without conclusion or death.