20100130

Contextual Illuminance

Copyright © 2010 Ernest Bloom.




A quantumindeterminism comprises language's lifeblood,
pulsating, beatingcyclicaldriving. I reachedout, I
broke, I snapped the twig
: contextual illuminance.
To break. To snap. End ofthe road. There are no
synonyms nor no reliable meanings, no onething.
It was a cold day, a gray day, and the layers
feedback, mutually inform, beating, pulsating,
pumping in nuanced shading, shading of graying.
Telomeric conservatism requires the meaning, the
hardedgedoutline determining, de termining, where it
ends, where it exactly fits. Terminus. Theend.
Amen.

But it doesn't fit. I reachedout, I extended my
hairy upper primate limb, orangutan orange, to
rip down to break off, to snap the twig, one twig
of tens, of hundreds, of deadends of
unlimberlimbytree.


Shaping little russianiconsinwords, eyes downcasts,
I can distinguish no futures from anypasts anymore.
'Twas a coldday and thesap was downdowndown,
rendering endering twiggytwigs stifflydrylysnappable
endable unbendable.
Laconic? Then why. . . ?
Quantumindeterminism ripples tripple hillanddipple
through it all. Twiggywigs. Vibrate. I broke/I
snapped the twig, and the twig snapped, and
broke I back.




20100129

Greenbacks and Grace

Copyright © 2010 Ernest Bloom.



Like John McCain, many of those
early Republicans were none too keen on
A. Lincoln, threatening to bolt over
emancipation. But Sherman's

burning of Atlanta changed everything
relevant: economics, and political prospects.

Let us rejoice!
The Union's saved!

Onomatopoeicus Rex

Copyright © 2010 Ernest Bloom.



quack quack
bang
thump

mmmmm

20100125

Time's Sugary Crystals Have Clarified

Copyright © 2010 Ernest Bloom.


Time's sugary crystals have clarified to a translucent,
Chocolate-brown block, leaving us ancient butterflies
Suspended in forgettable, amber dreams. When granulose voices
Are at some grateful distance withdrawn we're purified on a
Rising rose-pink feathery dawning before the rest of the ancient world
Begins to stir, the familiar, quondam dust still recycled
Across uncountable nostrils. The old men put on hats
To keep the heat in and sit before opened newspapers in
Warm modern libraries, not so musty. There is too much
Turnover of words and interment of transient, interesting ideas.
After a while they may know they'll never find
Whatever salvation they're still looking for, and then they can,
Maybe, resume their journeys.


20100120

Goddess in the Garden

Copyright © 2010 Ernest Bloom.





I.




In medias res! And a beastly, ghostly business it is: mad, mad! It's


Cold mother's milk in which we bathe, washing the whole world round,


Under the sun's gleaming, golden rays glinting in morning, reeling,


Skipping across that supple, Amytal skin wherein


An anonymous gentlemen's been recently drowned and determinedly


Reeled back in. Up the noisome, weedy hill she labors


With her sloshing pitchers, prematurely graying, her unkempt hair


Sticking out frazzled from beneath her saintly, iconic, hackneyed veil.


These waves ‑‑ these waves! ‑‑ rising, falling, revealing, concealing,


Merging, shuffling, shuttling their energies, mad for cosmic life. Strife.


Like yesteryears welling up, belching up historical submarine nutrients


To infect the conscience with remorse, but these costal waters are so


Barren. Does she mourn the drowned and drifting vagabond?


Her husband? Her son or lover, or was he some other stranger


Someone told her about, a footnote in the morning paper?



Stuff the remains in an earthen pot


And plant him by


The parking lot.



Enveloped in brooding discontent and derision, stealthy seething,


Silent resentment, the Black Prince struggles to refrain from


Openly wincing; he's too tugged and twisted under distant fingers


Manipulating cold piano wires and high-tension gossamer threads.


From between blocky castellations the same pelagic sparks


Strike his sable eyes, and he realizes how relieved he is


To reflect, even ephemerally, upon temporal matters as quantum


Electrodynamics and sequestered pathways cavorting through time


And place. England expects every man--, and sniff the rising,


Sulfurous clouds--. Like Alice Liddell badly bent by optic tongs and


Unexamined years lost reflecting long from cracks in some too-often


Dropped looking glass he feels the forces pressing in to contain


And constrain him, to shape his footsteps still, or one time again.


Yet once he watched the birds fly free and augured, already sensing,


Perhaps, twilight coming on so quickly: Oh! If only I were a


Cherry-red bird​​.X.X.X.​​And yet ‑‑ and yet! Recalled to duty, suspended


From his own right to destiny, upended, usurped by damaging,


Thorny ties, cries, even lies, puerariating out from dismal familial


Obligations expectations desecrations objurgations instigations


Expectorations stinking histrionic situations​​.X.X.X.​​We who serve.


Bah! Q.E.D.!



Identities unattended break down and disintegrate. Uneven clods.


Jettison the vivisecting archeology of a nation. Culture. History.


Mysteries of birth and death. Always more birth and death.


Family life conducted in tomorrow's unseen sepulcher plots.


Even politics is a brand of sentiment and wolfishly aggrandized


Insolence. Jetsam and flotsam. A thinking man's only recourse


Is finally perceptive recognition and calculated resistance to all forms


Of puffed-up secular authority.



"Let us meet once more back at the ship.


Go forth."



Outside the Paris library golden-wigged Newton


Backed up against the tree of memory ‑‑ or was it


Of history, of what's been or might-have-been?


Ethereal battles of clashing triple-masters, smoke


And swift light and booming thunder, splintering


Bulwarks, decks sticky with sploshing blood. Regarding


The fractal branching up above, subdividing, fingering,


Skeletonizing, shaking, rattling, rolling phalangeal


Bones bones these dry these dry bones, he contemplated


How surely, ineluctably, down within helminthine


Subterranean apartments, the lightless basements,


The roots, the roots, the roots roots roots of stones


Roots also diverged, diverged! Hemmed in within your


Tragic frozen binary logic, icicles shattering, what


Authority, what does it matter? I recognize none of your


Syntax; I reject it; I smite it; it lies in ruptured shards on


The floor, and I execute my antidromic getaway. The


Dendritic mass, the biconcave lens, branching out ahead,


Behind, blurring, losing definition. Peering through this


Narrow rolling annulus, all paths spread out in a


Chaotically disentangled scattering, a pleasing,


Divergent naumachia.



Gimme an R!


Gimme an O!


Gimme a C!


Gimme a K!



The ghoststory: there were two penguins sitting


On an iceberg in the middle of the‑‑ Do you


Freeze in the annular, angular moment, or do you


Participate, precipitate it? Perpetuate. Propagate.


The barbarians at the​​.X.X.X.​​He ponders, ponderingly,


Ponderously, impiously. Fitfully. Brow fatefully knitfully.


How does one transform the secret blazing


Interior kineticism to an expressive system of


Interpersonal dynamics? Does one? Should? Ought?


We are like pearls deep-buried and safe, enwrapping


Our true-selves in hoary and horny hard gray


Oyster shells. The artist's duty. Balance​​.X.X.X.​​Those


Who give and those who receive​​.X.X.X.​​Directional


Relationships. The bud squeezed off the motherstump


In a periodic process of procreative metastasis. The


Piñata split open, magic candy spills out. Is that not


The mystery of flesh? This narrow sphincter, cyclopean


Reception. Pupate. He sought involution, the final


Turning within, gargling gallons of gasoline-smelling


Basement medicine, sweet. The manstump's


Extrasensory prepuception, strange wavelengths


Coming in, dilating, contracting, contradicting,


Interdicting. New way of seeing one's local world​​.X.X.X.​​


The mother colony must yet love the prodigal cell,


Prematurely cast forth cruelly into the raging tides of


Unchained stew, to travel from and to​​.X.X.X.​​To travail


In quest of virgin ground like a (more or less)


Holy Graile to infiltrate. Infatuate. Castigate.


Matrimate, masturbate, cohabitate, commiserate, my


Co-incarcerated, unindicted (except by homogeny)


Campaigning, scarred and scared frères​​.X.X.X.​​But ‑‑



Are all causal connections necessarily directional,


Polarized? The signal flows in one direction​​.X.X.X.​​Or


Is that more mere dejectory, illusory apperception,


Reflecting a privileged and prejudicial perspective


On time? Isn't your knowledge little more than sparse


Bars against the untouched, skyblue gaps? Run


The tree backwards (assuming a wardal primacy for


Argument's sake) from leaf to furcating stemlets


Trunkwise deep down into the very rootage, redacting


Back to the primal seed ‑‑ may straight and focused


Thinking proceed from this profligate screed of


Memory's fables ‑‑ and you've just tumbled down into


An antimatter hole. What does it​​.X.X.X.​​Authority.


Author-ity. Abdication of. What's known. Breaking down,


Crumbly like a rocky, shoreside cliff face. Outside​​.X.X.X.​​


The ominous tides and tumult and uproar of intermittent,


Persistent warfare. Out of sight and mind: never. The


Dead spring up, accusing. The dead float. Orange juice,


If that's the way it makes you feel. Or bury it, like a cat,


Or a foxy fox, these interceding, ghastly visions of slain


Danish monarchs decked out in rings of submarine


Green glowing steel.



Blimey. Sub-limey. Lima. Peru. Bean. Peruvian. Nubian.


Nigra sum sed formonsa filiae Hierusalem.



See. See. At the edge of, at the edge of the sea, the sea,


The barren, blue-bellied sea, the Black Prince sees a great


Yellow wave rising up, water piling up, well beyond the


Herringbone beige highways of sand and nervous, stupid


Skittish gulls with no gift of prophetic powers and broken,


Unfateful shells. Can I forgive? I can't forget. No mounding


Of water can balance so stable, so still. He fancies he smells


Lightning's faint flickerings along its foamy brow, this prow


Of a ship bearing down upon good, dry land, this terminally


Alienated island, more insular by far than peninsular, disappointed


Isthmus, pinched off and ruptured. Those wild Danish kings


Must once have also seen it so: ineluctably. The gravid yellow


Bulge now remains, fixed to its selected position, but mutating


In morphology, shifting before his very eyes, if his very chary


Eyes can be trusted or believed. Chary-eyed and laughing,


Cherry-red bird. Recalls when they were caught. Crusted over,


And rusted ruins of ships chained to infrequented piers, too


Dear in victory; in defeat too near. Makes him feel a bit queasy,


And sneezy, and dizzy. He cobbles down on a scrap these


Rude words that you read, etching small marks with the


Philosopher-pretender's scratchy tool, these blending lines that


Imitatively bend back like a carpenter's rule. The more things


Change​​.X.X.X.​​Eyes closed, sound grows. Doze. Dreams that


One might come to sprawl and scrawl upon these selfsame


Sands, gripping matters firmly in his own hands.



A hostile, bilious sea cast up Orpheus on a Minnesota shore, and it


Was too late before he made it back to New Orleans once more: the


Land of dreams had melted back into the mythic night. Down from my


Baby's door to a ditch runs Highway 51 and there, my friend, beside a


Stopped car, engine still running, a dead bitch lies; he's poking her


In the ribs, but her soul won't rise again; she's stone cold beastly dead,


Already departed on the Dixie Flyer with a one-way ticket on that


Carouselling aural amplifier called metempsychosis. (Or was it 41?


No matter​​.X.X.X.​​) Crutched on pompous French philosophers whose


Airy words promise more conviction than they can possibly deliver.


More passion than perceptivity. Wanted to return myself for the


Millennial celebration, but wicked witchery intervened. Avowed her


Unconditional love with later addenda and emendations and provisos.


Never much of a liar, but with mulish persistence one can come to


Believe any damn fool thing. A fine line between diligence and


Madness? He doubts it, but maybe: especially when the price is


Confessing one's not at the fulcrum of all actions and eternity's


Great deeds. Let Helen pour us each from her pitcher a few


Precious drops of palliating elixir, nepenthes.



Shall I come to praise the past, or to bury it? Let the


Famished graves eat the dead. For groundless, unjustified


Idealism must youth be forever blamed? Far from it. Now must I


Rise to seek out what's been lost through carelessness,


Or else stolen away. In the bloom of manhood called folly doth all


Human hope reside. Then let the drowned sink down and be borne away


On the lunar ebb tide.




II.




Shooting the taw with a cunny thumb, knuckle-flicking aggies and


Steelies inside a toed circle, hook 'em in, winner take all, no matter


What your mummy said. Playing for keepsies in this life, not for funsies,


Else not worth playing at all. You can build up your pile quite nicely and


Neatly or else you can quickly lose them all. The pearls and onionskins


Smack clack-a-click! Stutter mumbling through their answer-guesses


Back in the classroom, their triumphant victories short-lived at best,


More commonly decidedly Pyrrhic. These boys down on their knees


Scrutinizing the minutiae of the contest grow up to trade tips on horse races


In earshot of distant long horn brass blats and drink Guinness in cool


Caliginous pubs, making small talk about soccer, or: "Trench blew his


Brains out, you know. A revolver." "Really? Was it, I wonder,


The same​​.X.X. ?"



His story, it seems, was to blame.



Now, years later, the child-man rolls around a single orb in his hand,


And clutching it between index finger and thumb, elevates it for gazing,


Regarding the world through a cat's eye, golden dawn's rays glinting


Along the towering church steeple outside, bells tolling the quarter hours


Away. Takes his morning constitutional, strays down the avenues before


The bustle's fully underway. A circle of toadstools and black magic at


Midnight. Esoteric Aleister Crowley stuff. Silver star. Secret of secrets.


The strong, scimitared angel standing before the abyss. Barring entry,


Or assuring the lid securely kept on?



Kept.



Satellites sweep out great arcs in elliptical grace around black masses


Situated at the well of one focus, kept in one orbit, by one particular


Idea bound. The gravity of the matter: a grave situation. And that, too,


Is where he's bound, many years hence (God willing), and more pointedly,


Today. What time? In the late morning. Mourning the late, great man.


His body given to be burned, aye, but his demonstrations hath profited


All men who knew him. But no matter his wanderings, his yearnings,


His sunderings, his many blunderings, derailings, unveilings, penalizings,


Rebukings, punishments and reprimands, that one single silver thread


Winds back, twisting forever back, back through the labyrinth of clashing,


Warring souls, like a trail of bread crumbs to the solitary focus of his own


True-hearted heart, amen!



Feelings in search of objects. Tooth-rattling trams shudder past in front of


The Grosvenor, too slow, too long. Whole half-forgotten histories scribbled


Down on small bits of paper. The high-ceilinged grocery story catty-


Corner from the library on 4th Avenue, and its yellow fluorescent tubes


Out of reach, or waiting in the parking lot outside in the car, bats


Dancing across impossibly hot and low summer skies. Mulberry trees


Up and down the avenue and mint in the flowerbed. The morning smell of


Big bottles of formula to feed the young calves. Until you surrender fully


To the dream state you can never be alive. And now, we pause to reflect


​​.X.X.X.​​Digest our breakfasts​​.X.X.X.​​Dolce far niente. Don't stay out too long,


Little girl. Red roses, red rover, I'll build you a bower and wrap you up in


Red roses, my love. Take you up in the tower. Drowsy. Lazy. No recipe.


No key.



Keeping to circuitous tracks, sidestepping prying, suspicious eyes and


Ears. You invited me to follow you down this breathtaking path when you


Knew I'd follow you anywhere you'd care to go, my dear, mavrone. We


Were surreptitious correspondents speaking directly, heart to heart, no


Practical complications got in our way while the whole wide world was


Waiting and raging out there, and our only significant difference was


Which life we deemed to be real and which one the fantasy. Now,


Sinking deeply down in these perfumed waters of oblivion, my dreams


Come and go, come and go, take my best dreams away, all memories


Of a happier time, a happy life, floating astride the inescapable tides,


Arbitrary, unflinching, streams of consciousness and conscience, drifting,


Adrift, riding high in the salt sea saline. I, like the Buddha, take in visions


Miles and miles removed, out of the futures and out of the pasts, while


My childhood companions sink down lower and lower with every passing


Year, out of the dreams they pass away one by one, 'til they've dreamt


Their way out of imagination at last.



The whole wide world, it seems, must salute the pitiless captains


Of industry, no matter how sleazy; these alpha-males loaded up on


Testosterone (bulk does not earn but presumes respect by unrighteous


Birthright), with feeble capacity for compassion and less for rational


Consideration, so quick to intemperately lob unsupported opinions


And assertions into the ring, into the mix, the mild but informed be


Damned! We are alienated sometimes, or often enough, in opulent


Cauldrons of companionship, where an absolute debauchery of


Unsolicited opinion and wearisome mythology is poured over the most


Trivial of remarks and inescapable transits through the long days,


And the lower orders must make way for their social superiors.



Stuff the remains in ‑‑ Goodbye, Mr. Trench! Gone, but not forgotten,


No; these hours we've known must now be played and replayed again


And again, letting memory overwrite history and a narrative emerge from


Chaos and stray circumstance. And the ghosts must come back (for


Ghosts always will), eking out their tiny corrections on the small knots


Of popular folklore. While we, in the know, we'll whisper only behind our


Masking hands the miscellaneous arcana we sorely bear, of the secret


Identities of the true murderers haunting this vast American landscape


At midnight under nine billion faint suns. Goodbye, Mr. Trench, we now


Know you far better than you ever did​​.X.X.X.​​Anyone for a spot of beer?



Shine on


Way down


Way downtown in the


Nitty-gritty dirty work-a-day


Away away


House-that-Jack-built world


Streets jam-packed up and down with


Slinky alley cats in rags and uptown


Suits and paisley jackets


And echoing marching sleek black jackboots


Oozing clotty between glass and steel walls


And cascading like gushing falls down


Lawyer-strangled marble halls


In the bustly hustly shoving mix and mess


Jumble tumble crumble down lives


Immunizing venom-spitting witchy wives


And match and bait and switch blurry


People hurry scurry worry


Rush and jump the track


Fighting for a scrap of meat


Stab the next one you meet in the back


Bargain basement quarrel


Come to terms in exigent negotiation


Scraping cash together in a pile


For an elective operation


Got no time for revolution


Got no dime for contribution


Curse the corporate institution


While the wind blows on and on and on and on and on



K-Map Architecture. Kalium Magnesium


Aspartate. Kansas Museums Association.


Kappa Myeloma Antigen. Karen's Missed


Achievement. Kenneth Miller Architects.


Keep Me Advised. Keep Me Amused.


Keep Moving Ahead. Keeping Memories


Alive. Kentucky Medical Association.


Kentucky Motorcycle Association. Kernel


Memory Allocator. Key Market Area. Kiger


Mesteno Association. Kissinger McLarty


Associates. Knowledge Management


Advantage. Known Medical Allergies.


Knoxville Museum of Art. Korea


Meteorological Administration. Kursk


Magnetic Anomaly.



From the pinnacled peak of a high and narrow


Up-thrusting, towering slender pillar


Infertile seeds pommel our citizens and serfs


Where this foreign hero stands in myth enshrouded, yet


Full disclosed, exposed before critical and vengeful,


Waiting eyes, aware it's just another emperor


Devoid of aught but imperceptible clothes.



Directly then upon a clearing came he


As the bustling afternoon was nearing


Amid the riotous gallery's japing and jeering


At the bloated production, listing and miscarrying.


Seeking refuge and a placatory repast


From the rude role which he'd been


Discourteously cast in. He passed within,


Through the welcoming doors of a café


Unsuspecting the traumatic tantrums


Therein on display:



A nauseous scene intimating want of breeding,


This ravenous pack of wolves so fiercely feeding


Over oily carcasses, spasmodic claw-hands pawing,


Greasy forks stabbing, clinking, serrated knives grossly


Sawing, speaking nothing, stuffing faunal ruins down


Savage gullets, chops of half-cooked pork cutlets and


Undecapitated mullets, and hands and ears and shins


And jaws, and monkey meat, and badger claws, slurping


Soups and spitting small bones they'd gnawed for marrow,


Ringed by driblets sprayed round on dingy table cloths,


Their newborn farrow. The close air hot and malefic, he


Tumbled back from the horrific panorama into the


Shattering daylight waiting only a very few short footsteps


Back outside. Heedless of his retreat, he did unwittingly


Collide with a passing stranger ‑‑ no, she was no stranger


After all.



"My dear lady, I beg your pardon! I was just--"


"Oh, excuse me, Mr. B! A simple accident, I trust.


Oh, fancy meeting you here, after all it's been,


What? Close to a year, I must suppose. And


How's the missus?" "Still keeps me on my toes."


"I'm sure she does!" "And dear Mr. Braun? Seems


Like eons since I've seen him around." "Around


He is, I do assure you: around, a square, along in


Tooth and loosing hair. But here's a sorry truth


I must confess: his wits are wanting, or maybe


Something less, and with his temper he's made


The butt of every joke and canny cut-up. Why,


Just this morning in the post he received a missive


Which made him drop his egg and biscuit


And spill his coffee and carry on with so much fury


I must suppose they heard it all in old Teheran!"


"A letter, you say?" "A letter, a threat ‑‑ such a


Menace he'll be weeks getting over it, such is my


Supposition. A card it was, a simple plaque


Marked by two letters only, with two symbols in


Strategic interposition." His brow wrinkled with


Curiosity. "Two sigils you say? And what were


Those?" And here Madame Braun paused to bite


Her lip, and then: "I cannot say; it must be depicted."


Producing forthwith a golden pencil stub (which


Signified undying hope) from her prodigious purse


She inscribed said formula on a lacerated bit of


Envelope, thus: A\A\



Then, when parting company once again, our dubitable


Hero and his long-lost friend, his thoughts immediate


Rebounded to the gustatory modality, and forth he flew,


Venturing on in determination's totality. And soon, anon,


Around another corner, he pinpointed a more fitting filling


Station, one palatable to his refined tastes and conducive


To a pabulumous and salutary digestion. And as his


Alimentorum waxed replete with vegetable victuals and no


Detestable glimmering of slain-prey meat, he had occasion


At last to cast his thoughts beyond the belly and its lots.


Thus he pondered, for although he'd pleaded bafflement


Respecting Mr. Braun's cryptical communication and left


Unconceded what perhaps it meant, in truth this orphic


Emblem was not beyond his own exotic and esoteric ken.


But why, oh why, he mulled, of all of those philosophers


And wits, as we might suppose would hold out promise of


Talent or leastwise affiliations to the kings of commerce


And international influence and sway, they who require


Nor expect mutual reflexive genuflections, or given other


Miscellany connections including kith and kin, then in all


The world why should it be that they'd sieve out the likes


Of him?



(Failing to rendezvous with his erstwhile companions back


At the ship ‑‑ "We'll meet," quoth he, "on edges soon, or


Ledges, clearly, quite" ‑‑ we now find the young apprentice


‑‑ Rather, the Black Prince ‑‑ cavorting with sinister masters


Of arcana and long-transmitted lore in the Palace of Whispers.)



Can you understand the powers of genius


When they're staring you down? Can you feel


The heart pounding underneath the pulse?


Probably not. Your ears fail to hear the clarion


Trumpet voice declaring an end to the ages you've known.


Do you demand Gabriel put in a special appearance, gray clouds


Scrolling back across the sky? Do you ever wonder why


The parties where you booze and schmooze with all the Who's Whos


Seem to fall a little flat?



Can you take the tint out of the sky and paint a scene


To make the angels sigh? Can you rob the graves of your days


And elevate your decays and pain, infuse it into the artistry of old


And find the future there? You're even convinced that any


Theories that I spin are valid only if they're literal, no doubt.


You feel no pattern laid out in the arcing arms that rock


The galaxy to sleep at night. You're fashionably agnostic ‑‑


I know the type! ‑‑ huddling down beneath your thin sheets


In the lifeless summer night.



I close my eyes and spread the fingers of my hands. I feel it ‑‑


I feel it! I feel the whole shape of everything that's absent, unsaid


And untold. I feel all our ancestry unfold, and my voice meets their


Hallowed voices. All my choices are their choices. I'm closer to


The past than to today. I've seen all the volcanoes bleed and blaze.


For I shook the earth; I flashed across your skies while you


Trembled in amazement under spectacular lightning displays,


Looking down at your thin stratum of abject civilization clinging


To the crust. I! And you with your waxy, professorial features, look


Down your long, fleshy nose in contempt at what's next to be. But I


Tell you this: I am coming, and I've penetrated the veil dissevering


This sensuous world from spiritual truth, and now that I'm revealed


My own parent, like some mask-shifting Sabellian, or out of Roger's


Mini-Egyptian fired epic tale, all your world is mine, and I claim


Possession of it. I come to catch your conscience, and that of


Every man. I control the waves from unseen chains affixed to my


Fingertips, and they rise, and they fall, revealing, concealing ‑‑ so:


Mock on, mock on while you can! Let your sons be armed; as for


Your daughters: go and check on them. For soon I'll claim and collect


Your sordid stories for my own, and raise up armies whose like you


Never reckoned!



(Ah, stooping to negotiate with such manner of men, so inflated with their


Self-same mythology, to mount the high wire among the likes of stupid,


Sightless them, seeking balance, to teeter on the brink. One misstep,


One slip, and the bloody gig is up, spent! That I must needs sweet talk


And suckle them, them! Then, that this solid flesh might melt and drip


Down among the low ones. Dangling, scraping barnacles between the


Devil and the salty deep on the Flying Dutchman​​.X.X.X.​​Between desire


And the spasm​​.X.X.X.​​Ah, long hours of unvital life, dispossessed!



But when I'm gone they'll long recall


A giant once strode here among them


Who dwarfed them all!)



No more omens:


Do not try.


No birds fly against the sky.



Beware! For some few fractals are literary; these are, doubtless,


The most perilous of all, seductive and insidious; be instructed:


They're obtusely captivating, aggravating the unsuspecting


Innocent intellect or peckish mind that's come in naïve search


Of a more familiar, pedestrian plotline. Self-similar fractured


Across all scales, slashing through theosophical veils in an


Infinitely regressing labyrinthine funhouse or shifting, unstable


Horror picture show ‑‑ beware! The fine and elegant structure's


Masterfully maintained as if by magic across every scrutinized


Scale; verily, like unto a broken holographic plate: no matter;


All information's self-contained and easily reconstructed and


Reknit; this thing of uncertain wealth is both indestructible and


The logos ouroboros that engulfs itself; not so different from any


Other boojum; three times I tell thee: beware!



The choice: unmade.


The promise: unkept.


The secrets: mysteries.


The instant: unexplored.


-- The exploding possibilities!



With this scalpel do I slice through and at


City streets and upright civic lives that


Turn and burn upon the moment.


Horses came and went where electric trams now go


While women discuss Michelangelo, and priests


Conduct worthy enterprises on behalf of


Them that lacks, while a golden calf is


Revered not many blocks afar, the fury


Reechoing within metropolitan bell jar.


Groaning, the grinding ice grinds on while


The forsaken lover lovesick pines on for


Well-earned affection that's cheaply spurned for


Baser providential proprieties, and furthermore


Within sordid bookstores one who seeks may find


Self-conscious literati, who wait in line for


Scandalous purchases ‑‑ for whom? Of what?


And why? How for? And miles away dear daughters


Of fate-smitten fathers gone astray in drink


And dark pooled depressions plead concessions.


All of it transpires in an unremarkable eye blink.


All of it: desires, and uncaring what you think.


Picture the scene: figures grand and insignificant,


Quite as Brueghel might well have pictured it.



Lashed to the mast, hold fast, steadfast,


Go through, go past, row fast, row fast.


No matter that seas rebel or heavens squall.


The lovely ladies tempting sing


Inside the warm chamber their charming call.


Their voices ring within the rich-grained hotel


That music lovers love so well.



These verses ‑‑ these choruses! ‑‑ rising, falling,


Revealing, concealing, merging, shuffling, shuttling


Their energies, mad for life and lust. Vibrations


Interpenetrating invisible through air, yet we


Ignore their influence; we don't acknowledge or care


To recognize the role of sound, of timbre, on choices


We make, ensnared in webs of dulcet voices.



Their voices rise and chords all melt


Beneath the moonlit cotton belt.


The wine is fine; the liver robust.


The tunes are true enough to trust


And hold on to as if in dreams


Where everything's exactly unlike it seems.



Where intoxicating melodies transport the soul


And orchestral pages effortlessly unscroll


And young Turks die for rock'n'roll.


His lay of patriotic betrayal would wring


Tears from the crudest libertine, and


When the jaunty cod had quit the scene,


So too the child-man, that golden mean.



He thinks of the chain chain chain, of how


He long recognized it was unnecessary to


Listen to anyone who recorded after Orpheus,


Because it was inevitably derivative (recorded:


The history/memory/mystery), but the real


Epiphany was the instantaneous discovery,


As with Paul (Peter, Paul and Mary; Paul and


John and George and Ringo) on the dusky


Damascus Turnpike, that it was unnecessary


To listen to anyone who recorded before


The aborted Hadean hero, because they were


Inevitably derivative too: he'd somehow become


The father of his own race, of his own race and


Ours; critical mass, involution through a


Philosophical event horizon​​.X.X.X.​​He'd


Somehow succeeded in swallowing the


Whole kit and caboodle, he'd swallowed his


Own head, and as so few mortals ever did,


He'd truly created Himself. Out of nothing, all


‑‑ Perhaps, or turtles all the way down


​​.X.X.X.​​Did it with mirrors, seemingly​​.X.X.X.​​


But just listen to Woody, for example​​.X.X.X.​​


"If Jesus was to preach like he preached


In Galilee/They would lay Jesus Christ in


His grave." Too true for the 30s dustbowl,


Clearly. Waves vibrating throughout the


Tree, in all directions in time and space.


Some voices are only the clanging of


Brass cymbals, beating, the bleating of


Sheep, incognizant of the ideals implicit--



Careless in back alleys he strayed,


While inside the playful tunes still played.


In loneliness incomparable, undulating,


His heart swelled, and then it quailed.


Nor heavier burdens another hero's assailed.


At his dark-clad back black rumors railed.


Heedless, he went on his way


To meet the upshot of his day.



Never was one for small talk.


Never could see the world through your one


Monocular eye.


People see me coming, they stop whispering


Just long enough to let me go by.


Pretty sure I know what they're thinking,


Or what they'd be thinking if they tried.


But critical thinking's a risky business.


They'll pay you back with exponentially


Compounded interest. They're sensitive to


Doubt and alienation. They're suspicious


Of any unorthodox orientation. They'll


Serve you up with all the trimmings.


Nothing so tediously orthodox as a


Swarm of lemmings.



When he walked into the bar every head turned round.


They watched him sit down and no one said a word.


He didn't want a drink, and he didn't buy a round.


Not too sociable. He was a peculiar bird.



Can't puke like a Christian, 'ey?


Don't you know that real men drink?


Don't you know how real men think?


Don't you know that real men fight?


Real men get it every night.


We love football and boxing and beer.


No one wants your kind in here.


We don't care what you think you know


Or that you're sensitive ‑‑ hell no!


No matter what the ladies say,


They only want their men one way.


When push comes to shove, then of course


Real women need a man's brute force.


Knock one up and then you marry.


Knock 'em around when it's necessary.


My way or the highway, better believe it.


America the beautiful, love it or leave it.


Guys like you get nailed to the wall.


Guys like you aren't real men at all.


We don't serve rabbits and we don't do queer.


We won't serve you ‑‑ get the hell outta here!



To them he answered: "We who are men


Necessarily long suffer, but we must be kind,


Celebrating not envy, but truth. We who are


Men must labor to bear all hardships; to hope;


To believe; to endure. Love that's true cannot


Fail. For faith and hope support our houses,


But only love abides forever." Forthwith, amid


Their castigations and vitriol, he returned unto


His element, the street​​.X.X.X.​​



Eyes closed, sound grows. Doze.


In sweet repose​​.X.X.X.​​In the aftermath of all that's


Gone before. After all emotion's been assigned


An object, Until no more objects remain. At the


Edge of a gray-beige sea in the twilight turning


Purple and rose he stands, watching, waiting, at the


Burnt out end of a day. Try to remember a day.


Roses. Roses. Forgotten cigarette that's burning out.


Silk handkerchiefs, cardboard boxes, and cigarette


Ends. Half buried Guinness empties, or Coors. Up.


Smoke curling up, swirling, turning inside itself, rising.


Extinguish.



Put through all this. Made to. Test one's


Endurance. Test one's mind. Mental tensile


Strength. Stress and strain testing. Compression


And drawing. How many know? Hard to know.


And hard to know. But they seem so casual.


Emotions on their sleeves. Can they be so?


Can they be? At the brunette violet hour.



Certain substances mutually dissolve. Like


Male and female psyches. Like magic. Why I


Wonder? Each may find, for brief, sweet moments,


Quiet peace in the other. Sharing. How is that?


Caring. The priest called it romantic love, but


It's not that. Then what? These voices that


Intertwine, that rise like smoke, that dance like


Jazz performance, freeform. The words that


Hypnotize are irrelevant. False datastream. Not


False but misleading. Deceptive. There are whole


Other languages to which we are not privy. There are


Whole other dances to which these bodies move,


Chassis that conduct us through a human


Chassé. There are distinctive voices that call to us,


Or pheromone gradients moving across the breeze.


It is these. It is these.



I guess everyone reminds you of someone. I guess


Everyone bears a certain face. Features. Disguise.


And we resonate. Need. Desire, yes, but: need.


Require. And when that's denied. Spurned. And


When​​.X.X.X.​​



These crude physical attempts at demonstrations,


Twitching these bodies unsteady, speaking in other


Voices, incomprehensible tongues​​.X.X.X.​​Means


Little, or less. These​​.X.X.X.​​



This.



"Pallas Athene. Ahhh​​.X.X.X.​​She was ever a


Royal headache for Zeus. Are you certain​​.X.X. ?"



"Yes! Speak on, old man!"



He shook his head and took another lusty swig


Of blood.



"Good stuff. The XX imprint​​.X.X.X.​​Well then. I


Need not counsel you about involving yourself in the


Struggles of jealous gods. Nothing good ever


Comes of it. Why, just the other day I was speaking


With Sandra, you know​​.X.X.X.​​Curious girl.


Snakes licked her ears, it seems. You see the


Symbolism there. 'Twas Athena herself gave mine


A good laundering. Four star wash and wax job


With a nice buffing. Shine up the rims, too.


But I wax loquacious​​.X.X.X.​​"



"Old man!"



"Raid not the beeves."



I tried reading Turgenev, but his


Radical liberals were too conservative; likewise,


The profanity on display in the lying-in falls a little bit


Flat these days. If it's true as some suppose that


Our child-man-friend helpfully and unsuspectingly


Passed on his French letters to young Mr. Bannon, then


There's a certain bit of amusing anecdotal irony there,


But​​.X.X.X.​​



What is genius or inspiration


When your body must be split open to release the


Next generation?


Little Miss Piñata, have no fear.


By this time tomorrow those bad memories will


All disappear.



Hanging around with a gaggle of clowns


Sinking down in his cups.


What does he care? Only vaguely aware of the


Funeral-frocked empath brooding at his side.


Do you see? Do you see? Some are clever, but


Most are antennae, beating to the transmitted tune,


And a few, a very few,


Still know


How


To



T


H


I


N


K.



(Quite the bumshow, ain't she?)



Black cats at midnight and crossroad ghouls. Too much smoke and heat.


Too much dancing. Too much drink. Delirious whirling. Intoxicating.


Running, running as fast as he can just to get away from himself. The


Smoke doesn't clear but only grows more close, stinging, burning his eyes.


Whirling. Hot. Hot. Hardest thing in the world to not think about


An elephant. Can only successfully turn himself into one of those


Unthinkers through the greatest of efforts, and it only persists for the


Briefest interval of time. Smoke signals puffing up inside the room.


Gas jet flames. Carbonized features. Lace and tawdry velvet. Candles.


Candles.



You know how the dead won't let you alone. Keep coming back like


Insistent alley cats looking for some kind of handout. What gives them


The right? These ghosts act like they own the world. Spying on us.


They're just spies. Moralists. Pushing their judgments off on us. What


Do they know anyway? Maggots eaten their brains out. A feast for


Worms. Leave us alone. Leave us be when the night sky is wounded


And spilling forth with broken springs of stars, scars. Once he raised


Many tadpoles in a large aquarium. The statuettes he made seemed


Continuously more alive, coming to life under his elegant sculptor's


Hands. Wrath of wraith. Howling like glass symbolist logic. Crash at


Specter near the ceiling. Undead rising in the hot room.



They are out in the night street and nothing makes sense. These


Sailors accost them. Faces hint of equine, teasing. Somebody is


Making threats. Eventually beating. The blows fall. First pirated,


Now abandoned. Friends like these. No. Acquaintances. Predators.


Everything he owns is in his pockets and then scattered over the


Streets. So little. Making secret signals to appeal to his brethren


Who are either absent or pretending not to see. Either way. Secret


Signals, like glands secreting tiny volumes of hormones to distant,


Unseen targets. Everything is really broken up now. Even the pain is


Foreign, as something happening to an alien mutant. The young are


Suddenly old and there is no connecting them, no reconciliation.



This febrile call to action is so exhausting. Turn into something else.


Someone. Art. Winding round strands of glass chaos. Bloodied


Strands. He comes, taking over, taking charge. Good. I'm in no


Condition. Picking up the pieces. Collecting. Wonder what he wants.


This is not what I imagined. Eating the gutter. Still have all my teeth.



Lucky.




III.




My boy.



In the night, in the night, in the dead, in


The dead of the night, in the winding back


Alleys, glittery glass bestrewn from ten


Thousand bottles broken over thirty


Years' time, and wind-whipped scraps of riven, half


Shredded, crumpled paper and assorted


Litter and human castoffs castaway,


In the dark, in the obscured back streets and


Brick-lined lanes, graffiti-scrawled, chipped, gouged, grates,


Gutters, amidst the unwanted refuse,


The forgotten, neglected, the late-late


Night, the early-early morning boozers,


The losers, fringefolk, unwashed, stiffraggedremains of


Onetimeclothingrags, pukescented, stiffened, bodystink,


Lousebitten, shoeflopping, coarsebearddraggy,


Cobblestoneyblitzkriegyramshacklebrokenbacky cumulations of


Spifflicated detritus, came on these two, these two hokey pokey winky wongy


Weebly wobbly hangers-on-to-whatever's-holy-or-might-be-soniks,


Misconstrued hope, misplaced, straw-clutchery-wise in this world awobble on the


Keen gleaming buzzing knifey edge of dousery.



The spires and domes of city buildings are gothic ghostly silhouettes


Against the cold, dark, breath-bated starry night. Drinky drinky alcohol


Blots edges off the senses: an infernal carnival of spiritual dislocation.


It's less that we're intellectual engines pestered by unruly emotions than


Emotional beings, some of whom periodically, or aperiodically, seek


To graft on patches of rationality. To grasp at strands of order lost


In the pandemonium. Who or what is what it seems? Nothing. No one.


Not even the thing itself. Form does not precipitate down out of the word.


The word is a fingertip pressed to the surface of a lake, prompting


Ripples of change, association. Triggering unpredicted chain reactions.


Predicate. Connotations. To act upon and to be acted upon are


Inseparable conditions, a single state. No primacy: it moves both ways.


I am, therefore​​.X.X.X.​​Our accepted rules of syntax are fundamentally,


Irreparably, in error. Indeterminism. Protean​​.X.X.X.​​I think.



My mind​​.X.X.X.​​My mind is tired. A long day. And yours. Fragments


Of sense. This is no place for the likes of us. Come. I'll rejuvenate


Your equilibrium.



Ancient lives, long since overgrown


With weeds and untrimmed trees and crumbled under rubble.


What can the bloodless voices of ghosts have to teach us?


Nothing we don't already know; nothing new, that is.


Some waves fall whilst others rise. No light shines from


A dead dog's eyes.



No key.



And as he sobers up, his


Alcohol dehydrogenase enzymes revving, revving, kidneys


Choogaloogaling, the Black Prince coming


Up up up


While the child-man comes


Down down down,


Perspectives and perceptions


Shift shift shift,


And all parties concerned commence to


Get the drift:


No matter that we are


More similar than different, the Other remains,


All pieces of a single vessel, like an


Ancient Grecian urn recovered from the


Soft red muds of the Mediterranean,


Perhaps broken,


Human identities, ground down in the


Years against each other, mutual degradation and


Reduction, leaving men and women doubting


Who they are ‑‑ at least


Not quite open to


Perfect communication.



Few pleasures in life are more


Satisfying to a man than


Pissing out-of-doors, especially under


Windswept stars: a reality that no woman will


Ever comprehend.


As though by magic, as they


Shake hands, long-dead Newton looking on,


Longing for compass, protractor and ruler


To plot their paths, they find the unspoken thing:


Their keys: the one has found the


Prosaic mock-hero to


Inflate into legend; the other the means


To contextualize the matter that


Awaits him upstairs.



Kepler, and the Sleeping Beauty:


Equal areas in equal times.



And she dreams on her dreams, bearing


Handfuls of water, or cupfuls of light, scattered, shattered,


Memories fragmented, thoughts and perceptions come on, while


Society's moral conventions always lag way behind, way


Behind the mind. Lamentations and celebrations. Identity


Is a distributive process, some waves rising, some in decline.



Goddess in the garden, arm broken off reveals


A hole in place of a shoulder, the only Penélopê who's


Left to us now. Her skin peels, peels, back, hips and thighs,


Peeling skin, flaking, her head bent forward, her knee flexed


Walking slowly, slowly pondering, reflecting. Goddess


In the garden, the only Penélopê who's left to us now.



Life's


Descended into disarray,


Socially excluded and ostracized when the


Bourgeois has become so implicit. Families


Breakdown, their ties inexplicably dissolving into


Comic, cosmic alienation, dancing


Fluidly and lightly all around


Changing circumstance without visible


Compassion or empathy, without the


Nuanced demonstrations of love and affection


For which we thirst.



For fear of embarrassingly sentimentalizing


Love and mourning, everyone


Wrestling with problems as complex as those in


Mathematics or physics: how to balance


Activity and passivity in the world. It may well be that we don't


Reconcile ourselves with the past, but only


Consign our ghosts to ancient history, seeking


To solidify all of these broken-down identities, seeking


To manifest one's own true self in some


Nonexistent, safe venue.



Have you then no remorse or conscience?


Or are you too crafty at repression? Weave


A network of symbols to comfort you and protect​​.X.X.X.​​


Are compassion and remorse


Opposing extremes?



The text itself is


No less a character


Than the setting.



She is


At the focus of his cometary orbit, and her dreams


Are his world. And she


Dreams on her dreams,


Remembered, misremembered,


Disremembered, unremembered,


Dismembered, misspoken, mistaken,


Near the Dorset corner


On Eccles.